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Ricky Warwick – Playlisted

January 23, 2023

Ricky Warwick picks the tunes, the films and the cultural signposts that relate to his music.

His fifth album with the Black Star Riders, Wrong Side of Paradise, has just been released, ahead of the band’s tenth birthday. It was partly recorded at Dave Grohl’s Studio 606.

Ricky Warwick at the Limelight, Belfast. Photo by Stuart Bailie.

FILM

I came to Apocalypse Now via Combat Rock by The Clash. There were so many references. Somebody said to me, that’s what this album is about. This was about 1982. I was maybe 17 at the time. So I watched the movie, thought it was brilliant. And then somebody says to me, you need to watch this on acid. So we watched it again on acid. And it kinda changed my life, because I saw all these hidden meanings. Especially the Marlon Brando stuff at the end. I thought it was amazing, and still do. If I’m bored, I’ll just go back to it. Obviously, it’s about Vietnam, but the whole personal psyche that’s involved in it, the mind games and everything.

CITY

Belfast. The Icicle Works have a song called ‘I Never Saw My Hometown ’til I Went Around the World’. I adhere to that. People go, ‘that’s easy for you to say, you don’t live here, you get away from the place’. Yes I do. Maybe if I was here 24-7, I might see it differently. But I don’t think so. I love it. And I love coming back here. I feel very centred and very connected here. I’ve just had two weeks here with my wife and my eldest daughter was over with us. It was the best time ever.

One of my Belfast highlights was when I was 13. I Sneaked in to see Stiff Little Fingers at the Ulster Hall on the Nobody’s Heroes tour. Coming from Newtownards to see what Belfast was like in 1980 and then seeing 2,000 punks losing their mind to Stiff Little Fingers, I was thinking, this is possibly the most terrifying and greatest thing I’ve ever seen in my life. I used to deliver the Belfast Telegraph. I got the money from my paper round and said to my dad, look in need fifty quid, I wanna buy a guitar. And that literally was the start of it.

Glasgow has been good to me too. If I hadn’t have moved to Scotland, I wouldn’t have formed The Almighty. What I like about Glasgow and Belfast is that nobody suffers fools. I love the sarcasm that both cities have got. They don’t let you get too high or mighty.

SPORTING MOMENT

Gerry Armstrong scoring against Spain at the 1982 World Cup.  We’d just moved to Scotland and I came back here for the summer to stay with my sister. I watched it in Movilla in Newtownards. I was screaming when he scored. Nobody gave us any hope, and being such a football fan, to beat Spain in their own back yard. It was such a magical moment. It gave us all hope. I’ve met Gerry since then, which was a great honour and I love that he’s happy to talk about that goal. Sure, why wouldn’t you?

MUSICIAN

In my opinion Phil Lynott is the greatest rock and roll front man that there ever was, or is. He had it in abundance: attitude, great lyricist, a great bass player, tons of energy and swagger. Charismatic. Nobody looked like Phil. I say to kids, go on YouTube, put on Thin Lizzy and watch that front man. Watch everything that he does cause he’s phenomenal.

Jake Burns from Stiff Little Fingers – he gave us hope as a kid. He made you think that we can get beyond this and there is hope. The songs and the power. Jake’s an amazing guitar player. Very accomplished and very unique. Doesn’t use any effects – straight into the Marshall head that I sold him in 1992 at Barrowland.

MUSICAL INSTRUMENT

My 1988 White Gibson Les Paul Custom. When The Almighty signed to Polydor in 1989, they gave us a very generous equipment advance. We used to rehearse in Glasgow and there was a store across the road called Sound Control. And the manager goes, right, go pick what you want. I picked this white Les Paul off the wall. I didn’t even try it. I wanted it for two reasons: because Steve Jones played one and Steve Clark from Def Leppard played one. And I had to find a strap long enough so I could play it down at my knees. I still have it. It’s gone nicotine yellow. I use Gretsch guitars now, but I still bring that out. I have a lot of guitars and I would let any of them go, but not that one.

TRANSPORT

My Ford Mustang Convertible. When I was growing up I was very fascinated by the whole Americana culture. I knew one day I was gonna live there. So I’m living there (in Los Angeles) and I thought, I’ve always wanted a Ford Mustang. Finally,I was able to get enough money together to get a black one about five years ago. It’s convertible. Has to be. I’m not materialistic but it’s a sense of achievement. Just making your dream come true, you know? My youngest daughter Pepper, she’s 15 in two months and you can start driving at 15 over there. She’s going, ‘dad, when I take the Mustang to school…’ And I say, ‘that’s not happening… yet’.

LOCATION

The Joshua Tree Desert is amazing. I was obsessed with it, reading about it before I ever got there. And then when I went there it didn’t disappoint. We try and go out there three or four times a year. A friend has a fantastic place which he lets us use. It’s like being on the surface of another planet. It’s so quiet, nothing stirs at all – a few coyotes at night. I love to go there to write and just hang out. You can stay at the Joshua Tree Inn and they have the Gram Parsons Room. It’s Room 8 and they’ve left it pretty much the way it was when he stayed in there (singer Gram Parsons died there of an overdose in 1973). Of course, it’s supposed to be haunted by Gram’s ghost. I stayed in it once.

LITERATURE

Muhammad Ali, His Life and Times by Thomas Hauser. It’s a good book, apparently Ali approved it before he passed away. It’s a commentary on his life. What he stood for and what he believed in. I thought he was a very righteous human being. He called it out, he called it for what it was. I just loved his attitude. He said that if he was a binman, he’d be the best binman in the world. It’s inspiring. The cockiness is brilliant, but he would back it up.

ABSENT FRIEND

My dad was my hero. Des Warwick. He was a very proud Ulster man, A man of very few words, but every word mattered. I’m an only son, I have two sisters. I grew up in a farm and was expected to go into farming, which I did for a couple of years. But when the music took off, my dad saw how invested I was in it and he always said, you go off and do it. When we got our first record deal he was delighted and encouraged me. He said, you’re far better off out of farming, go and do the music. So when I was able to make a living out of it, he was very happy.

He passed away about six years ago. He wanted ‘Free and Easy’ by The Almighty as the coffin went into the crematorium. So that came blaring out of the speakers. I was crying and laughing at the same time. He said it was the only fucking song I had ever written. He was such a character. He was hanging out with the guys from Iron Maiden and Skid Row at Donnington. He had a suit on, and a tie, having the time of his life.

VENUE

Glasgow Barrowland. It’s the atmosphere. The sprung dancefloor and the crazy Scottish nutjobs who go to it. They make the gig what it is. Obviously, Belfast would become a close second but nowhere beats a packed Barrowland for atmosphere. When the floor starts going and people are moving, there’s nothing like it. In the 80s, I remember seeing The Cramps, The Cult and Zodiac Mindwarp there. And the people that run it are great.

Ricky was talking to Stuart Bailie.

Ricky plays with the Black Star Riders at the Limelight 1, Belfast, 11 February 2023.

 

 

 

 

 

 

 

 

 

 

 

Niall McDowell – New Dig

January 14, 2023

Niall McDowell is making country queer in their new EP,  It Was An Honour To Be Nominated. It’s a heart-on-your-sleeve, Joni Mitchell-esque romance songbook. Listening to this EP right through in a single sitting felt like I found a new love, built a life with them and then lost them. It was a hard but worthy task.

“I have been working on these songs over the course of the past two years, and I’m very proud to finally have a small body of work that exemplifies my ever-changing style as an artist.” Continue Reading…

Photo: Stuart Bailie

Joshua Burnside was driving from Belfast to Donegal for a recording session when he got stuck in a jam on the Westlink. When the traffic moved on a bit, he saw the cause of the delay. Someone had jumped off a bridge on Clifton Street onto the road system below. Another grim statistic for Belfast. “That shook me,” he remembers. Continue Reading…

By now, you are all probably aware of the stall this (near complete) gargantuan anthology sets out. All five studio albums, a live record, and a plethora of B-sides, remixes, additional live cuts, and unreleased tracks, spread over 7 CDs. I’ve been here since the start, from the embryonic Fostex 4-track demos, that formed their debut album, right through to the triumphant comeback tour of 2009. So this is kind of like a labour of love, yet a challenge also, given the massive scope of the thing. But let’s see what happens. Continue Reading…

Ash – Ulster Hall review

December 17, 2022

The confetti cannon fires up during ‘There’s a Star’. Father Christmas is on the stage, busting martial arts moves for ‘Kung Fu’. Ancient songs like ‘Petrol’ are set into the air with juvenile fizz. Hey, it’s the 30th birthday party for Ash at the Ulster Hall and all smiles are justified.

Three school pals from Downpatrick are still playing the tunes. So many of these are deep in the collective memory and more than a score of them are bona fide chart moments. Tim Wheeler keeps fetching them out like a stage magician, sustaining the wonder. The audience has aged in the interim and the band members are slightly smudged by time, but essentially, this is joyous, kids’ stuff.

Ash played an Xmas show at the Ulster Hall in 1995, supporting Therapy? They were awkward and in awe of the scale of the night, but the potential was sure. Tonight, Tim’s voice is stronger and he wears the authority of a well travelled player. Rick plays a drum solo. Mark bashes at his Gibson Explorer, three strings intact and he does the angular moves that must worry his medical insurers.

How beautiful is ‘A Life Less Ordinary’? And how does ‘Angel Interceptor’ maintain that lovely flight path? We might also make the case for recent Ash. ‘Darkest Hour’ of the Night’ is a talisman for hard times, sincerely done. Naturally, there’s a special value on ‘Shining Light’ and the mention of Royal David’s City. It’s a rock and roll nativity play, the presentation of gifts.

Nathan from Snow Patrol is onstage for ‘Orpheus’. There’s a throwback to junior Ash when they bring on the big boys from school, Barry Peak and Boyd Lowe from Backwater and they play the latter’s ‘Silver Surfer’. There’s another brilliant payback to Downpatrick when Ash afford the support slot to Charlie Hanlon, just turned 18 and already astute. ‘I Lost Myself’ grows from a hesitant busk into a big anthem, akin to Mic Christopher’s ‘Heyday’.

Damian O’Neill from the Undertones is ready for the encore and the amusing petulance of ‘Buzzkill’. We’re set for ‘Teenage Kicks’ but there’s bonus surprise as James Nesbitt takes the mic and shakes the hips. He’s making a punk rock dream come true and we’re not going to deny Jimmy the massive fun. Likewise, for ourselves. One of the best we ever had.

Stuart Bailie

 

Ash, Ulster Hall, 16.12.22

 

 

 

 

 

 

 

 

 

 

 

Chris W Ryan is wearing a baby pink jacket and sunglasses. He is every inch the charismatic conductor of the softly-spoken storm around him. Chris is Robocobra’s spokesperson, drummer and principal songwriter. Thibo and Tom play saxophone (soprano and tenor respectively). If Robocobra Quartet were a title-chasing football team, these two would play on the wings, providing crosses for their drummer to score. Their insight is polite, considered and often hilarious. Continue Reading…

Ferna Profile, NIMP Special

November 15, 2022

Hannah McPhillimy’s musical debut was accidental. “I started playing when I was doing my music degree. The first time my music got out there, somebody had recorded something, and then just put it online without my permission, which I don’t think is totally ethical! So, I hadn’t put a lot of thought into branding, or how I wanted to present myself as an artist.” However, the unconventional launch of her career didn’t hold back the north coast musician. Within a few short years, McPhillimy had released her first EP and sold out a string of shows across Ireland, sharing stages with SOAK, Foy Vance and The Gloaming. Continue Reading…

Rory Nellis on getting the public vote for Album of the Year at the NI Music Prize for Written & Underlined

“I must admit that it completely blew my mind, so thank you to everyone who took the time to vote. I can assure you that this is a very big deal for me and it’s much appreciated.

I worked so hard to get the album finished in some quite challenging circumstances; meeting the producer Phil d’Alton in car parks to make plans and recording with the band at a safe distance in Half Bap Studios in Belfast. I’ll remember that stuff fondly though. It’ll be the only time I’ll ever get to record like that, I hope. Continue Reading…

At the heart of the Northern Ireland Music Prize is community. A community that doesn’t get a chance to take a step back and enjoy all the love and dedication put into the music created. A community that is supportive and gracious, bands that pick up awards are cheered and congratulated. There’s a sense of pride that swells and travels across the room, it’s lovely as an organiser to see that. One of my favourite descriptions of the awards was from Paul Connolly of The Wood Burning Savages who said it was like a big staff night out for musicians. Continue Reading…

If you were exiled and homesick in the Eighties – part of that wash of Irish émigrés from a damaged island – then you may have taken recourse in a Paul Brady album, Hard Station. Alongside Van Morrison’s Astral Weeks, it was a point of focus and a reassurance. We brought the record out when the drink was in and the self-possession was due for a crash. Continue Reading…